Balsamic: heavy, sticky, sweet, unctuous scent, usually from an aromatic resin. If you think of balsamic vinegar whenever you read about balsamic notes in perfumery, you are not far off. They have a similar sticky-sweet, rich character as a true wooden cask aged balsamic vinegar.
The oud trend and the fascination with the East is nothing new in perfumery. The oriental style of fragrances, compositions that rely on rich, opulent notes of vanilla, musk, resins and ambers was inspired by the traditional elements of Middle Eastern and Indian perfumes. As the fascination with everything Eastern and exotic grew at the end of the 19th and early 20th century, these "odalisques and harems" fantasies also took olfactory forms. The oriental fragrances, which are represented well by Guerlain Shalimar, Dana Tabu, Estée Lauder Youth Dew, Yves Saint Laurent Opium and Serge Lutens Ambre Sultan, are inconceivable without balsamic notes. Whether they include benzoin, tolu balsam, peru balsam or styrax, their sweet vanilla fragrance with a distinctive cinnamon note lends a beautiful richness and heft to the compositions.
Balsam is a term used to describe the gummy resin from various trees and shrubs. In perfumery, there are several classes of balsamic notes, but balsams like tolu balsam, peru balsam, benzoin, and styrax are distinctive because they have a strong cinnamic note and they are often used in oriental fragrances to give a rich and pleasantly spicy quality to the warm oriental accords. They are very beautiful materials on their own, although using them requires some skill. In excess, their rich, heavy fragrance can suppress the composition, with other notes hiding under the dense balsamic richness.
Benzoin is balsamic resin derived from the bark of several species of trees in the genus Styrax. In perfumery, either benzoin Siam or benzoin Sumatra are used. Benzoin has a clear vanillic fragrance (it contains vanillin, just like vanilla beans) as well as a hint of cinnamon. It is one of the most versatile notes among other balsams, and it is used in most amber, vanilla and oriental accords. It also can be found all over the fragrance wheel, from citrus colognes to woody blends. I especially love its sweet vanillic note in Chanel Coromandel and Serge Lutens Vétiver Oriental, where paired with incense, it creates a gilded, plush sensation.
Tolu balsam or balsam of Tolu is the resinous secretion of Myroxylon Balsamum, a tree native to South America. Like benzoin, it is formed when the tree is injured. This was noticed in ancient times, and benzoin and tolu balsam were commonly used to heal wounds and skin rashes. Even today some of these balsams (particularly peru balsam) or their derivatives are used in various dermatological ointments. Tolu also has a vanilla and cinnamon fragrance, but I notice a strong smoky and sweet note. Tolu is reminiscent of almonds and leather, a seemingly darker note than benzoin. Tolu balsam is the leading player in Ormonde Jayne Tolu as well as an important supporting note in Cartier L’Heure Defendue. A smoky, warm touch of tolu balsam in Donna Karan Gold and Robert Piguet Fracas lends their florals a spicy, rich quality, which is further augmented by other sensual, oriental notes.
Peru balsam (also called Peruvian balm) is related to tolu balsam; it is derived from another Myroxylon tree species, Myroxylon Pereirae. I find Peru balsam spicier and smokier. The smoky note can be introduced by processing methods when the raw material is boiled in water over a wood-burning fire. It is quite a dark, heavy material, and it is usually blended with other balsamic and ambery notes as in Hermès Elixir des Merveilles, Serge Lutens Amber Sultan, Lorenzo Villoresi Incensi, Yves Saint Laurent Opium or Nicolaï Sacrebleu Intense.
Styrax is a genus of about 130 species of large shrubs or small trees, but for our purposes, styrax resoid is the one that is interesting. It is a beautiful dry, smoky, spicy note, with a distinctive leather and incense facet. It is the least sweet and vanillic out of the balsams I have described here. A beautiful note of styrax can be noticed in the drydown of Serge Lutens Cuir Mauresque, Bois Oriental and Tubéreuse Criminelle. It is generally a supporting character, but smell Bond No.9 Broadway Nite, and the presence of leathery styrax is unmistakable right from the top note, where it is given a nice lift by the violet and aldehydes. Also, many leather accords like Chanel Cuir de Russie, Dior Fahrenheit, and Tom Ford Tuscan Leather rely on the leathery darkness of styrax.
Drawing of Tolu balsam plant from wiki commons.
Thank you so much for a wonderful education!!! I can almost smell the notes from your descriptions. If you ever get to teach this in real life with the essences, I would be your first student!
Posted by: hongkongmom | February 23, 2011 at 03:39
Thanks for this! Your post has clarified my considerable fuzziness about the precise nuances of the terms "balsam" and "resin", and when they are or aren't vanillic in nature.
Posted by: flittersniffer | February 23, 2011 at 04:03
I would love to have all of you in one room so that we could smell together. I bet, it would be so much fun.
Posted by: Victoria | February 23, 2011 at 07:35
You are most welcome! I started these little series for myself to keep track of my notes from smelling, studying raw materials and identifying commercial fragrances that use them. I am very happy that someone else finds it useful!
Posted by: Victoria | February 23, 2011 at 07:38
Speaking of the turn of the century fascination with Oriental exotica, I seem to recall that at one time there was a fragrance named Odalisque....but I can't recall who made it.
Any idea?
BTW, does Tocade qualify as an Oriental?
Thanking you in advance for any input you may have.
Posted by: Gitcheegumee | February 23, 2011 at 10:30
I believe Parfums de Nicolai
created a fragrance called
Odalisque
Posted by: Julie | February 23, 2011 at 14:08
I think that you mean Odalisque from Nettie Rosenstein from the 1950s.
Tocade is a floral oriental, a big orange blossom-rose on a warm amber base. One of my top favorites!
Posted by: Victoria | February 23, 2011 at 15:04
You are right, there is that one too, a white floral. I think that G meant the classical oriental called Odalisque, very popular at one time.
Posted by: Victoria | February 23, 2011 at 15:23
I had completely forgotten Nettie Rosenstein...I ALWAYS got her confused with Helena Rubenstein!
(I may be wrong here, but I for some reason I associate Rosenstein with millinery...)
I chanced upon Tocade,quite by accident(or Kismet) at one of my rare shopping mall runs. Got it on a discount table for under $10.
There's just something "je ne sais quoi" about those ethereal orange blossoms....
Posted by: Gitcheegumee | February 23, 2011 at 20:14
What a find!! Especially for such a wonderful fragrance as Tocade. Your description of it is spot on!
Posted by: Victoria | February 23, 2011 at 21:38
Thank you! Really enjoyed your description of Styrax- will need to try to identify it in Luten's. Pity I never smelled the raw material so will have to rely on your description.
Posted by: Olga | February 25, 2011 at 09:14
It is especially clear in the late drydown, balsamic, leathery, with the warmth of vanilla.
Posted by: Victoria | February 25, 2011 at 12:20
Peru balsam is very efficient in the wounds skin treatment even with diabetic feet. It really works. Regards!
Posted by: Rafael | March 22, 2012 at 12:52