Star rating: 5 stars--outstanding/potential classic, 4 stars--very good, 3 stars--adequate, 2 stars--disappointing, 1 star--poor.
Caron Farnesiana defies conventions with its interpretation of violet and almond tinged mimosa notes. The classical softness of mimosa is rendered as suave and tender, yet the effect is more like delicate swirls of incense smoke rather than the swan dawn lightness of spring flowers. Farnesiana has an elegant, mellifluous character, yet at times it speaks in sultry whispers, with the overall impression of the fragrance being surprising, dramatic and at times unpredictable.
The brooding glamor of early Caron fragrances was the signature of the house’s founder, Ernest Daltroff, who between 1904 and 1941 created almost 40 different fragrances for the collection. After the beautiful reign of Ernest Daltroff ended with his death in 1941, Michel Morsetti took over the creative direction. Farnesiana was born in 1947, as a double reference to the Mediterranean that has always inspired Daltroff: the plush beauty of Acacia Farnesiana, the Latin name for cassie flowers and the High Renaissance splendor of the Palazzo Farnese in Rome.
The warm and powdery fragrance of cassie flowers has an interesting undertone of balsamic spiciness, which is fully explored in Farnesiana. The composition hits the sonorous, dark notes immediately, giving a glimpse of its incense and sandalwood inlaid base. The honeyed sweetness of mimosa is rendered as the luscious richness of almond nougat, which when paired with the dark woody and ambery notes makes for an exciting counterpoint to the plush floral notes. Initially Farnesiana has a luminous quality, augmented by orange blossom and jasmine; as it dries down, the incense and musk give it a more somber and seductive hue.
The closest modern equivalent to Farnesiana is Frédéric Malle Une Fleur de Cassie, which in contrast to most mimosa focused compositions also explored the dark and brooding aspect of this fascinating spring flower. The most recent version of Farnesiana I have smelled struck me as very good. The main difference is the stronger vanilla note and the clearer, brighter floral accent which serve to give Farnesiana a more baroque aura. While I will not pretend that Farnesiana is a crowd pleaser—the combination of powdery warmth and incense richness can be challenging at times — it has a striking beauty. It is a memorable fragrance in the best of the grand parfum tradition.
Caron Farnesiana includes notes of cassie, mimosa, bergamot, jasmine, violet, lily of the valley, lilac, opoponax, vanilla, sandalwood, hay, and musk. It is available from Bergdorf Goodman and other major retailers. A list of stores can be found at Parfums Caron website.
Sample source: vintage 1950s bottle of Farnesiana parfum, 1990s Farnesiana parfum and the most recent parfum version sampled at Bergdorf Goodman.
Photo credit: Wilhelmina, Paris 1967, by F.C. Gundlach, some rights reserved.
Love, love, love it. Have been wearing it non-stop for the last couple of weeks. Interestingly, I don't find it sultry. Not that it is exactly innocent, but it is somehow too melancholy and delicate on me, to be about sensuality, you know?
Posted by: Marina | March 18, 2011 at 08:42
As soon as I saw the Red Lady I thought, is this what Victoria looks like? Somehow this is how I picture you - gliding down Parisienne Blvds.
tho wearing shades of course, and a whisper of fragrance as she passes by - what is it? Where has she been? With whom? And for what type of liaison?
:)
Posted by: Tracy Bloom, LMT | March 18, 2011 at 08:43
I find it that way overall, but then there are times when those incense and dark musk notes appear, and it begins to smolder. Perhaps, I just see it differently, because delicate is not how it wears on me at all.
Posted by: Victoria | March 18, 2011 at 09:07
I am flattered that you imagine me as Wilhelmina. I don't think that we share many similar features though. I do love red and Paris, that's true! :)
Posted by: Victoria | March 18, 2011 at 09:10
Victoria looks more like Audrey Hepburn.
Is it ok that I'm giving away your secrets, V? :-)
Posted by: Kate | March 18, 2011 at 09:43
One of my favorites, so what a pleasure to find a review of it today!
Farnesiana ages well. My circa-1990's bottle (now almost empty) is deeper and richer than a new bottle fresh from the boutique. This older bottle comes immediately to the dark basenotes and misses the almost-green spring of the opening mimosa/violet bouquet. I also have the parfum, but the EdP is my choice for a rubbery quality that pops up in other Caron classics like En Avion.
Posted by: Suzanna | March 18, 2011 at 10:01
Kate, you are too kind! That's a lovely compliment, thank you.
Posted by: Victoria | March 18, 2011 at 10:47
I am so happy to see another Farnesiana fan. It is probably one of the least known from Caron, and yet it is a fantastic fragrance.
I noticed that Caron fragrances in general age really well, and my Farnesiana parfums withstood the test of time nicely. You are right that the newer version is greener and fresher on top, which works perfectly with the dark florals and woods of the base.
Posted by: Victoria | March 18, 2011 at 10:50
I'm so pleased to hear that the new stuff is still worth a try. I've been curious about this for awhile, but the vintage bottles I've seen are outrageously expensive. *scribbles another onto NYC sniff list*
Posted by: sweetlife | March 18, 2011 at 11:15
I am comparing the new and the vintage versions of Caron this week, and it is a mixed bag. Some reformulations are excellent, others are awful. I think that it should tell you something when I keep mistyping Tabac Bland, instead of Tabac Blond! :)
Posted by: Victoria | March 18, 2011 at 12:16
I hope you'll report on those new vs. vintage comparisons -- can't wait to hear your views.
Posted by: sisty | March 18, 2011 at 14:56
I will post them next week. I am very disappointed with the new version of Tabac Blond, almost too disheartened to even write anything about it.
Posted by: Victoria | March 18, 2011 at 16:09
Victoria, can you recommend any Caron's fragrances intended for feminine market that can be used by men as well? There's not much to explore for us in Caron's masculine lines, and it's not fair! :)
Posted by: LostArgonaut | March 18, 2011 at 21:35
I would recommend Nuit de Noel and Poivre (perhaps, Secret Oud too.) Tabac Blond would have been my top choice, but it has been reformulated to death, so it is not worth trying anymore.
Posted by: Victoria | March 21, 2011 at 12:07